five senses from my world: anna laurini, graffiti artist

Five senses from London-based graffiti artist Anna Laurini's world. 

Painter and street artist Anna Laurini leaves no space uncovered. Ebbing tides of her creative impulse fuel and motivate her unstoppable addiction to reinterpret the city as her canvas, with her Picasso-esque profiles becoming an unmissable trademark throughout the streets of London, Paris and New York. Boldly reinventing and infusing cubism with new meaning, Laurini gives life to her iconic face, mirrored star crossed lovers, pouting lips, seductive eyes that wink behind tousled hair, and strike attention. Using her art as a vehicle to stimulate the subconscious and evoke the senses, think outwardly, explore one’s inner emotions, all with the city skyline as her backdrop - Laurini's work is as poetic as it is provocative.

1

There isn't a day that goes by when I’m not painting something on the street.

I painted my first piece of street art in Shoreditch three years ago. I thought because I was a painter and didn’t belong to a graffiti background it wouldn’t fit my style - I still use paint brushes for all of my graffiti, I’ve never used a spray can! From the very first time I did it, it really became an addiction to me.. It was so thrilling and intoxicating, especially in cities like New York where you have to be so quick.

2

It feels nice to know that often when people see this girl I paint, they can relate or recognize apart themselves in her.

Maybe she reminds them of something or someone. She’s been with me ever since I started to paint. I started with a scribble and I didn't question why or how or who she was - I just did it. She’s only a few lines but it comes out very strong, and I love because of that she could be anyone, yet also no one in particular.

3

Listening to The Doors always inspires me.

My studio is never quiet, there’s always music playing in the background from Miles Davis, sixties jazz to Piazzolla. I was really influenced by the Doors from a young age so I listen to them a lot. Growing up in Italy, I became fascinated with Jim Morrison and how striking his lyrics are. In fact, I use many of their lyrics in my paintings. 

4

The vibe and creative atmosphere of London is perfect for me. 

I prefer big cities like Paris, New York and London to those in Italy because there’s a challenge to them but I love the diversity of London especially. I never get bored of it. Everywhere I look, there’s a canvas to paint of something or someone to be inspired by. The scent of pink fluoro acrylic paint reminds me of my work wherever I am. It’s maybe not the most beautiful smell for everyone but when I smell it, I feel at home.

5

Fornasetti the iconic Italian designer who repeated 350 interpretations of the same girl once said “When an object is good, why not repeat it dozens of times. It will not lose anything”

I know this is true for some of my work, but there are sometimes certain ones that are so different from the others and I will never be able to repeat them. There’s only a few that are a challenge and that’s because I know the way they came out is very unique. My piece “Stay Pure” is an example of this. For this piece, I used my favourite Cyan Blue paint which is a very specific metallic paint that I can only buy from a place in Italy as they don’t sell it anywhere else in the world.

This Week

making codes: behind the scenes

Take another at director Liza Mandelup's Making Codes video, a look behind the scenes at digital artist and creative director Lucy Hardcastle's piece 'Intangible Matter' that features producer Fatima Al Qadiri, artist Chris Lee and a host of more leading digital artists.

Read More

making movement: behind the scenes

Take a look behind the scenes in filmmaker Agostina Galvez’s Making Movements: a look at the making of The Pike and the Shield: Five Paradoxes with ballerina Nozomi Iijima and other leading movers and shakers from the world of dance including choreographers and dancers Holly Blakey, Aya Sato and the duo Project O. 

Read More

making films: behind the scenes

Take another look behind the scenes in director Eva Michon's Making Films with Alma Har'el video: a look at the making of JellyWolf and the current state of play within the film industry through the eyes of female filmmakers championing diversity, and Alma Har'els Free The Bid initiative. 

Read More

making images: behind the scenes

Take another look behind the scenes at photographer Harley Weir’s journey in capturing five women from around the world as well at a number of other creators defining the image of today in documentary filmmaker Chelsea McMullan’s Making Images video. 

Read More

making exhibitions: behind the scenes

Take a look behind the scenes in director Christine Yuan’s Making Exhibitions with Rebecca Lamarche-Vadel: a look at the making of Just A Second: A Digital Exhibition Curated by Rebecca Lamarche-Vadel, inspired by CHANEL Nº5 L'EAU, and a look at other leading curators and collectives from the art world including BUFU, Rozsa Farkas, Fatos Ustek, Angelina Dreem and Yana Peel.

Read More

seeing sound: in conversation charlotte hatherley & carly paradis

Two of London’s most sought after figures in visually-shaped music meet.

Read More

lizzie borden: feminist trailblazer

As her magnum opus returns to UK shores, Lizzie Borden – the visionary artist behind Born in Flames – talks rebellion, feminist artistry, and her nostalgia for 70s NYC.

Read More

rebecca lamarche-vadel's
just a second

Rebecca Lamarche-Vadel is the Paris based curator for the Palais De Tokyo. Dedicated to modern and contemporary art she puts on large scale exhibitions that span installation, dance, sculpture, photography and spoken word. For The Fifth Sense she created a digital exhibition based on the transformative power of CHANEL’s Nº5 L’EAU.

Read More

reba maybury: she’s got the power

We sat down with the editor, writer and dominatrix Reba Maybury to discuss her taboo-breaking publishing house Wet Satin Press, her latest novel Dining With Humpty Dumpty and what it means to be a woman in control.

Read More
loading...